SKA, Uncategorized

How to Dance the Ska

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We have seen the photographs of Ronnie Nasralla and Jeannette Phillips teaching us to dance the ska, step by step. These guides appeared on the back of various LPs, especially those by Byron Lee & the Dragonaires. But a dig through Daily Gleaner archives this week revealed that these dance steps also appeared in the newspaper in the summer of 1964, and so I post them here for you to see. They are essentially the same as those on the back of the albums, but they are sponsored by Desnoes & Geddes, the brewer of Red Stripe.

First a little background, which I posted earlier this year. Ronnie Nasralla told me how he came to create these dance steps to showcase the ska with Seaga and Byron Lee. “Let me tell you how it started. One day, Eddie Seaga, who was my close friend, called me. Eddie Seaga was friends with my sister. He was my sister’s boyfriend and he used to come by my house and I help him with his political campaign. Advertising was my forte. So I did all the advertising for the government, Eddie Seaga at that time. I help him with all his promotion. He told me he heard a music that was breaking out in Western Kingston called ska and he asked if I could promote it for him, so I said, ‘Well, I’d like to learn about.’ And we organized and I said, well Byron Lee is the best person to promote it. So we get together with Byron Lee down in Western Kingston and I learned the ska music. Eddie organized a dance at the Chocomo Lawn in Western Kingston—it’s an outdoor nightclub. And Byron played there and all the ska artists performed with Byron and it was a sensation. He [Seaga] said to me, ‘Ronnie, move around the crowd and see what they are doing on the dance floor and see if you can come up with a brochure about how to dance the ska. So I did that, saw the people dancing around and came up with a brochure about a week after, how to dance the ska, give them different steps in the ska, and something that they could use to promote ska worldwide. That brochure was used by the government, they put it in all the record albums and it was sent all over the world and I was asked to go to the states and promote the ska with somebody and I got Jannette Phillips to dance with me. Jannette was a dancer, a belly dancer, a friend of my sister. We took pictures doing the different steps and the brochure was produced and given to the government and it was put in all the ska albums,” says Nasralla.

Nasralla had traveled to the U.S. with the group of musicians from Jamaica to promote the ska at the 1964 World’s Fair in New York. You can read more about this visit in my posts here: Ska Ska Ska! Jamaica Ska!

Without further ado, here are the advertisements from the Daily Gleaner, so get ready to put on your dancing shoes!

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Uncategorized

Sound Systems at the Jamaica Festival

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I stumbled across this advertisement from the Daily Gleaner, July 31, 1965 and noticed that a number of sound systems were playing for this celebratory street festival parade, and guests were encouraged to join in the parade at the end. Yes please! Can you even imagine? King Edward “the Giant,” Prince Buster, Lloyd the Matador, and even the Skatalites were in this parade! Geez Louise! If they ever invent a time machine in my lifetime, here’s my first stop! Below are a few stills from that now-famous footage of the Skatalites performing in this parade.

The Festival was founded by Eddie Seaga who pushed hard to promote ska with a deliberate strategy because he saw that ska was connected to the newly independent Jamaica and the nation’s cultural identity, although there are other reasons too. He founded the Jamaica Independence Festival, a showcase of Jamaican arts, which included an all-island ska and mento competition. At the first annual festival, Byron Lee & the Dragonaires performed, of course, and the festival was hosted and funded by the Ministry of Development & Welfare, Seaga’s department. The first festival began in 1962 to celebrate and coincide with the independence. Seaga continued the festival each year after and in 1966 brought the Popular Song Competition into the offerings. Seaga’s meetings of the Parish Festival Committee were broadcast on JBC and RJR so the public was aware of his agenda to promote ska. And he was photographed and appeared in the newspaper as he cut checks to artists like Prince Buster for their help in promoting ska.

In case you don’t have a magnifying glass to see the performers at this Festival, here are the closeups, which I think are immensely interesting:

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